Considering the added time and cost of cutting dubplates and the added weight in the record bag, it would be understandable if even die-hard dub cutters migrated over to the convenience of digital.Īt a time when dubplates were the predominant way to play unreleased music out, cutting houses such as Music House and Transition became infamous go-to destinations with lengthy queues at peak time on a Friday night. 10 years on and the technology has become even more convenient, and even a predominantly vinyl-oriented DJ could bring a couple of exclusives to a gig on a USB stick and pop them in a CDJ-2000. The UK garage scene was equally motivated to cut plates, and then grime and dubstep followed suit and broke the clandestine practice to a whole new generation.Ĭertainly by the time dubstep came around CDJs were already rising in popularity and the digital DJing boom was just around the corner, so there was naturally an aesthetic choice made by those who chose to cut plates rather than burning CDs or playing files. Equally the practice was a natural fit once jungle came along, where the fierce competition between DJs was constantly driven by those with the most cutting edge unreleased material. In music culture, the tradition of dubplates and the ‘specials’ cut onto them reaches back to the days of sound clashes in Jamaica, where having exclusive tracks to win over the dance was of utmost importance. Vinyl can be a costly habit however you choose to engage with it, but few facets of a wax-centric life demand as much dedication as dubplates.
#Dubplate prices pdf
After this it will only be available in PDF format so this one is for all you real collectors out there who want the real paperback edition.From Jamaican soundsystems to jungle, garage and grime, dubplates have long played a crucial role in DJ culture. Only a limited number of the paperback edition is still available so if you want to get your copy order yours now while stocks last.
Why be in the wack MC category when you can learn the skills to put you in with the best? Even experienced emcees can learn a trick or two from the content in this book, and find easier ways to doing what you want to do and improve the quality of your songs and your performances. In this book Top Cat breaks down each of the components of writing a MC song that is structured correctly and created in a way that could be a potential hit in the studio, and have your audience singing along with you at your live shows. First published in 2005 and written by Anthony Codrington aka Top Cat, the 5 time MC of the Year from the British Reggae Awards, Black Music Awards, and BBC Three Counties Awards and three times Record of the Year Award winner, as well as recently in 2022 picking up the DJ Magazine Award for being a Game Changer in the Music Industry for the vocals on the classic track RIP Groove, and boasts well over a dozen chart topping number one singles to his name, there aren't many out there who have more experience and success with that experience.
This is the original paperback edition of the groundbreaking first book to explain the skills of the elite emcees of Dancehall, Jungle, Garage, Grime, and Hip Hop. If you have said yes to all of the questions above then you need this book in your reference library. With hits like Over U Body, Smoke The Sensi, Wine Up U Body, Sweetest Thing, as well as more recent hits with Shy FX Every Day, Chase & Status Just Come Back, Roughest Gunark remix, as well as his hits with Congo Natty like Champion DJ, Badder Than Them aka Imperial Majesty, and classics like Push Up U Lighter, as well as the UK Garage remix of Request The Style aka RIP Groove, Top Cat is a Living Legend of the UK urban music scene.ĭo you want to learn to MC like your favorite dancehall deejays or hip hop rappers?ĭo you want to be able to do the fundamental skills so well that can put you on a par with the emcees you look up to?ĭo you have more half a loaf for a brain? Top Cat scored hits for Fashion Records with Gallist/Sess Weh U Want, Request The Style, Bunn The Sensi, as top 5 singles in the Reggae Charts. In 1992 both Top Cat and Tenor Fly joined Fashion Records to record projects for release, working with Chris Lane and Gussie P at A Class Studio. Recording his first album Sensimilla Man for another Legendary producer and member of Sir Coxsone sound Blacker Dread, Top Cat then joined Sir Coxsone sound and was part of the MC team of Daddy Freddy, Tenor Fly, Ricky Tuffy and Jah Prento that toured the UK, Europe and the US during that time.
His first his Love Mi Sess (produced by the Legendary Reggae producer Joe G RIP) topped the Reggae charts in February and March 1989 as was awarded Record of the Year and the Entertainment Enterprise Awards that year. Top Cat has been making hit songs for over three decades.
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